Pataliputra, the capital of the Mauryan Empire, India,
3rd century BCE
Madhuri,
a courtesan, lived in Courtesan Street in the imperial city of Pataliputra. If you looked upon her objectively, you might
be hard-pressed to say she was more beautiful than other women, for surely
there were thousands of young women of every caste and every kingdom equal to
her. In some ways she was quite
plain. She even had a few defects, truth
be known. However, she had two
advantages over other women. First,
Madhuri understood glamour. She knew how
to bring out her particular glamour in such a way that almost all men and women
noticed and respected her. Secondly, she knew how to turn the attention she
received into profit.
There
were those – jealous, neglected wives and those men who could not have her –
who said the Madhuri was just a whore who had sex with men for money. She did not see herself or her lifestyle this
way at all. Instead, she saw herself as
the director and star of her own personal, on-going spectacle. Men were willing to pay a small fortune simply
to be part of her show, and if they were fortunate enough to share her bed, now
and then, as part of the entertainment, so be it. She saw herself as two people, really – an
artiste devoted to her calling and the development of her skills as a
courtesan, and a shrewd businesswoman.
Her lovers gave her gems and jewels and other rare and precious gifts,
competing with each other for her favors; she kept some of these gifts as
mementos, but most of them she sold, raising money which she loaned at interest
or invested.
Some of the
wealthy men she “milked” like this, no doubt, would have been appalled if they
had known that Madhuri had a few lovers who didn’t pay her anything at
all. In fact, she took them into her
chambers for free because they were willing to teach her things, such as the
skills among the sixty-four arts that normally were not part of a young lady’s
education – the skills of a lapidary, for instance, how to mix poison, or how
to fight with a sword, shoot an arrow, or conduct a siege; how to make
invisible ink and break codes; how to cast magic spells and make ingenious
machines that seemed to move on their own.
She learned everything she could, because… well, you never know. Until Ashok finally murdered his brother and seized
the throne, the political situation in Pataliputra was touch-and-go.
Madhuri
was, in fact, a rich person. She derived
so much profit from loans, speculations, and rented lands that she did not have
to lead the life of a courtesan.
Instead, she continued “in the game,” as she put it, because she was
addicted to the thrill and power, and the accolades she received as a
celebrity. She loved the luxurious
setting of her city mansion, with its crying peacocks, and the cultured,
respectful attention of her selective little circle of clients. On Courtesan Street that was, indeed, what
they called this life: “The Game.” Women like Madhuri were called ganikas – quite literally “Players.”
Madhuri
had everything she wanted except a daughter who could take her place when she
was old. And “old” for a woman in
Madhuri’s profession was twenty-eight.
She reckoned she had only three more years left before her most loyal admirers
began to take their affections – and their money – elsewhere. Meanwhile, she relied more and more upon art
in order to try to look younger than she was.
It was a game, she realized, she would eventually lose.
Most courtesans eventually
bore the child of one of their lovers, and Madhuri was no exception, but her
first-born turned out to be a boy, and that was no good. Most women prayed for a boy, but not the
women of Courtesan Street. After all, what
does a boy do, raised up amongst ganikas? The good ones became musicians, which was at
least useful, but mostly they became idle gossips, gambling and drinking too
much and generally causing trouble. And
the worst of them? Well, they were
recruited as pimps and spies by the nobles or even by enemy agents – they were
drawn into criminal acts and political conspiracies. A daughter, however, was a valuable prize in
Courtesan Street: she could be raised up
and carefully trained, and she would take care of her mother in her old age.
Madhuri eventually
resorted to extreme measures. She called
an unscrupulous sadhu, or wandering
holy man, to her mansion, and the man appeared, covered in white ash, with
matted hair, wearing only a rather scant loincloth – all symbols of his having
renounced the desires of the world.
Madhuri, who knew this was a sham employed to convince people that he
was a saint, spoke frankly:
“Now, baba, I have a proposition for you. I’ll pay you a bag of gold panas if you procure me a little girl,
seven or eight years old, no more or less.
I don’t care how you do it, and I don’t want to know. You will receive two bags of gold if she
seems especially promising. But no rough
stuff. Understand? She mustn’t be afraid. Entice her with toys and sweets – whatever
works – but bring her to me quickly.”
“Stealing
a little girl is very bad karma, my dear – I will come back as a snail or a
locust for this, surely. How about four
bags of gold?”
“How
about two bags of gold, and I won’t tell the Inspector that you’re a spy for
the Satavahanas.”
“But
I’m not!” the saddhu smiled. “No one will believe you.”
“I
have ways of making men want to believe me even if they know I’m lying. What can you do, sadhu? Pretend to curse me? Save your fables and magic tricks for
gullible fools from the countryside.
Now, go get me a suitable little girl.
The sooner you get back, the sooner you can have your money.”
The
sadhu accepted these terms philosophically and disappeared into the evening
bustle of the capital. Madhuri trusted
that he would have the good sense not to perpetrate his crime personally, or to
try to snatch a child from her family inside the city walls, under the noses of
the city watch. She went to the shrine
of the Goddess, a stone slab leaning against a peepul tree in her own garden,
and chanted a brief mantra, kneeling
and bowing so that her forehead touched the earth. She prayed for success.
Eventually,
the sadhu returned, disguised as a porter carrying a basket, inside which
Madhuri found a very sweet-looking little girl, sound asleep.
“What
is this?” she snapped.
“A
potion, only, I think – it will wear off,” the sadhu replied, swaying his head
in a vague gesture that could mean almost anything.
“She’s
brown!” Madhuri cried. “What in the hell
am I supposed to do with a girl who looks like her father was a fisherman and
her mother was a tribal savage? Have you
completely lost your mind? No one is going to want this girl – no one.
A proper ganika is supposed to
have golden skin, you fool.”
“What
do you expect for two bags of gold?
Anyway, you didn’t say, ‘Kidnap me a Brahmin or Vaisya girl with
milky-white skin.’ Most people are
brown, my dear – it’s just the law of averages.”
“I
said ‘suitable.’ Everyone knows what
that means.”
“Excuse
me, lady, but what exactly makes a girl ‘suitable’ for the kind of life you
intend her to lead?”
“Get
out of my sight.”
“What about my money?”
“What about my money?”
“Yes,
that reminds me… the Inspector is coming over later tonight….” She tapped her lips with her fingers and
said, “Oh, and last I heard, you were still an enemy agent working for the
Satavahanas, or was it the Seleucids?”
“Aiyo….” The sadhu sighed, deeply, and finally said,
“So what am I to do? Do you want the
girl or not?”
“Take
her back,” Madhuri muttered, wrinkling her nose. “Get her out of here – the very sight of her
disgusts me. She defiles the place just
by being here.”
“I
can’t,” he said, insistently. “I found
her on the riverbank. She was already
drugged. All I had to do was pick her up
and put her in the basket. It was so
easy….”
Madhuri
wanted to yell at the sadhu some more, but his unexpected reply silenced her
anger and instead aroused her curiosity.
“What?”
she asked, furrowing her brow.
“Women
who want to get rid of kids often put them on the riverbank. Because, well… the crocodiles. They’ll eat anything, even corpses. They’re not picky.”
“Well,
what do you suggest we do, then?”
“My
dear,” the surly old vagabond said, “there was a time, long ago, when Chandragupta
was still emperor, and I was a true renouncer – before the snares of worldly
desire tempted me. Perhaps this is a
boon? After all, we don’t know who this
girl really is, do we? She may as well
be the daughter of the Ganga, since she was found upon its banks. Everyone knows the great river is a
Goddess. Clearly, child of her own or
not, Ganga favors her.”
Madhuri
raised her eyebrows, glancing at the little sleeping girl. “A Goddess-born foundling… the Child of Ganga!” The courtesan’s eyes suddenly blazed. “Yes, yes, sadhu… I can work with that. Thank you.”
“What
do you mean?”
“Oh,
shut up – you wouldn’t understand.”
Madhuri’s mind was teeming with ideas, already weaving the first layer
of the little girl’s glamour. I shall name her Rambha, after the Queen of
the Celestial Nymphs!
“Do
I get paid, then?”
Madhuri
pursed her lips and gave the holy man a narrow-eyed look. With a petulant noise, she threw him one bag
of gold.
“One? You know that a sadhu’s curse can hurt even
the Gods?”
“You’ve
already cursed me with this damned low-caste girl – now, go away before I have
you arrested! Trust me, you don’t want
to see the inside of Ashok-the-Cruel’s dungeon.
Our young emperor is a hard man who doesn’t believe in anything: he fears no one, not even the Gods. Ashok will have you torn to pieces, slowly,
just for fun – and just because I asked him to.”
The
sadhu pressed the palms of his hands together and retired from her presence,
cutting his losses. A life spent amongst
cunning men had made Madhuri perhaps too devious for her own good.
Years
passed, and Madhuri retired from public life.
She was touched that a few of her lovers continued to ask for her, but
these were old friends. Most of the
others, as she knew they would, lost interest in her once she was in her thirties,
growing plump and increasingly clever, even dangerous. She acquired other young women, in addition
to Rambha, setting herself up as a proper guru,
or instructor in kama – the art of
love, or, more accurately the art of seductive glamour. She hired tutors, dancing-masters, even a
priest. No expense was spared. If the elite men of Pataliputra would not
come to see her, then they would beat down the doors of her mansion to see her
young ladies, whose virginity she would sell for a prince’s ransom.
Rambha
grew up amongst the other young ladies, and like them she learned how to sing,
dance, and play musical instruments, how to arrange flowers and drape cloth,
how to carry on witty and informed banter with well-educated men, and how to
flirt. Most of all, Madhuri herself
showed Rambha and the other young ladies how to dress, how to arrange their
hair, how to apply their makeup, but most of all how to look at people, how to
carry themselves – how to appear elegant and desirable, not silly and
ill-mannered.
“Always
remember,” she smiled, “that the value of anything increases when it’s hard to
get.”
It wasn’t that Rambha did not hear her
mistress’s advice. Madhuri simply did
not like her ‘daughter’, and never had a good word to say to her. If Rambha seemed idle, even for a moment, she
was given some demeaning chore to do, and generally treated as a servant. However, Madhuri’s son could not take his
eyes off Rambha. He smiled at her,
followed her like a puppy, and passed little gifts to her, secretly, whenever
he could, with the aid of one of the maids.
At length, nature took its course, and Madhuri discovered her foundling
charge’s lapse of chastity immediately.
She beat her son so hard that she broke his nose and nearly blinded him
in one eye: Rambha she threw out onto
the street.
“You’re
no use to me, now – go earn your rice as a strumpet amongst the emperor’s
soldiers!”
Rambha
wandered for two days around the city walls, not eating, pausing only to squat
by the river, watching corpses being burned on the ghats, or steps leading down to the water. It was there that the Inspector found her.
She
remembered the Inspector, a cynical man who had stopped visiting Madhuri,
rather abruptly. But he was not an
imperial official, not any more. He wore
the ochre robes of a Buddhist monk, carrying a staff and a begging bowl. He recognized her, in fact, before she saw
through his… well, his disguise?
“Are
you spying?” she asked, for the emperor, being paranoid, had spies everywhere, all
the time.
“No
– I’m really a monk. No more sneaking
around. After the campaign in Kaling,
many of us retired from the army, and the emperor, saddened by the destruction
his policies had caused, set his feet on the path of Dhamma – the way of the
Buddha, the Enlightened One. Do you know
of him?”
“Of
course,” Rambha said, sniffling as she tried to dry her tears with the hem of
her sari, pulling it over her head. “I
heard the emperor married a Buddhist princess after his campaign in Ujjain.”
The
former Inspector laughed and said, “This is an excellent time to become a
Buddhist. We’re held in high esteem
right now. Ashok is inclined to be generous,
and he has a lot of sinning to make up for. Are you interested?”
“Forgive
me, monk, but these don’t sound like the words of a renouncer.”
Madhuri’s
former lover laughed and said, “I’m working on it. This Enlightenment business may take a while…
two, maybe three lifetimes in my case.
But you? You’re a natural. You’ll break the cycle of rebirth on the first
go, I’m sure of it. Have you heard of
the theris – the Buddhist
sisters? There are even more of them
than there are of us.”
“What
would they want with someone like me?”
“Would
you believe that the abbess at the convent was a courtesan, when she was
younger? We don’t care about your past
in the Sangha, or what caste you were – we’re all running away, you see, so it
doesn’t matter.”
Rambha
smiled, her eyes shining, for the Inspector truly seemed to be a different man
– kindly, happy, even wise.
“Do
you have to be poor to be a nun?”
“Ha!
No, not really. Individually, the nuns own nothing, but the Sangha
is rich. Many of the theris bring their dowries to the convent,
and the laymen bring offerings, to earn merit. It’s a good life. But the best part of all is that we’re completely
free.”
“Alright,
then, where is this abbess?”
“Come
with me, I’ll show you,” he said, watching her slowly rise up, turning her back
on the river.
QUESTIONS
1.
What do you learn about Mauryan
India from this story?
2.
What ethical issues arise in this
story?
Copyright, William Lailey, 2012
Hello, William,
ReplyDeleteFor some reason, I haven't been receiving updates to your blog. It probably has to do with my limited social media skills. Anyway, long story short, I happened to glance at blogspot and saw a whole list of updates for the world of Henry Innes! What a pleasure to find this tale! Madhuri is completely real, and I hope you're going to continue Rambha's story.
One of the characters in my books is Ratna, the daughter of a sage and a nymph. The nymph deserts the sage, and when he dies, his friend the yogi Asita take the beautiful child Ratna to the mansion of the great courtesan Addhakashi for training. He tells her that a courtesan's life offers her the most potential for independence. In a future book, a descendant of Ratna's (nicknamed Mayura because he's such a sharp dresser, which everyone garbles into Maurya) becomes the father of Chandragupta. You know the rest.
I'll have more time to browse around your site and hope to be in touch at more length soon.
Best regards,
Shelley